Thursday, 8 July 2010
Ticket Offer: 40th Anniversary Season, Young Vic
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Wednesday, 7 July 2010
Ticket Offer: Nevermore / I was looking at the ceiling, Barbican
The first is Nevermore: The Imaginary Life and Mysterious Death of Edgar Allan Poe (6th - 10th July). When you purchase a £5 ticket to this delightfully grotesque musical fable you are also entitled to a £5 ticket for John Adam's music theatre show I was looking at the ceiling and then I saw the sky (2nd - 17th July at Theatre Royal Stratford East)
To book a £5 ticket for Nevermore, go online and enter the promo code 06710.
Your I was looking at the ceiling £5 ticket can then be brought over the phone or in person, by quoting your customer reference number for your previously purchased Nevermore ticket.
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Monday, 5 July 2010
Review: Elektra, Young Vic
Because I was only able to get a free ticket for the penultimate show, and because there was no press night, this post should be thought of as a reflection, rather than a review.
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Friday, 25 June 2010
Review: Plucker, Southwark Playhouse
Which is a very good thing. Because once you ignore the irrelevance that is the defeathered parrot of the title and the truth serum-cum-tequila, this play is actually quite a competent look at the issues facing late twenty-somethings conducting relationships outside of the traditional model of marriage.
Alexis (Emily Bevan) and Louis (Jamal Rodriguez) have recently moved in together, but aren't feeling the domestic bliss; Julian and Thomasina on the other hand are moving towards marriage quite contentedly. Cue a dinner party, copious amounts of alcohol and a love interest from the past and the holes in the relationships quickly widen.
There's nothing radical about this premise, but it's handled well. Smith's script manages to balance the more outright comedic moments of the night ("I need an IV drip of pinot or I stop having fun") with the serious reflection. And if at times it can all feel a little self-centred, Smith is careful to make sure this sort of naval-gazing provokes is held up for equal mockery.
Tickets:
£8, early bird ticket offer. Southwark Playhouse operates what it refers to as 'Airline Style' pricing, so the earlier you book, the cheaper the seat. However, the airline in question is clearly Ryanair, at the seats are unassigned, and on busy nights it can be hard to get two together if you arrive late. You have been warned.
Programme:
£2. Brief note form writer with cast biogs - nothing outstanding.
Plucker plays at the Southwark Playhouse until July 3. Phone the box office on 020 7407 0234 or visit the website.
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Friday, 11 June 2010
Review: All My Sons, Apollo Theatre
Joe Keller is the archetypal Miller protagonist, an everyman pursuing the American Dream, apparently with success. William Dudley's solidly realistic house and garden not only provide a beautifully naturalistic backdrop, but represent the material security he has established for his family. But based on wartime profiteering and his "talent for ignoring things", this comfortable lifestyle is under threat.
David Suchet gives a virtuoso performance as Keller, winning over friends, family and neighbourhood children alike with his blend of charisma and beneficence. His mistake, of course, is that he is all too ready to believe his own spin, clinging to his lies for support long after they unravel. There is something utterly compelling about his downfall, as Suchet's confident entertainer is diminished to a bewildered shell of man.
Wife Kate, played by Zoë Wanamaker, is too preoccupied with her own pretenses to fall under his spell fully. Clinging to the belief that her youngest son is still alive, Wanamaker wrings every ounce of sympathy and emotional turmoil from the script to create a multi-layered portrayal that I still find myself thinking about days later.
The narrative tension mounts up slowly - a line here, a reference there - but the pieces slide into place just a split second before the audience is aware of the outcome, and the tragic denouement manages to be shocking in its inevitability. Theatre as its best.
£30 for the balcony. Ah, the West End, nemesis to the theatregoer on a shoestring. I will certainly be keeping my ear to the ground for any word of cheap tickets for All My Sons, but with such great reviews, I wouldn't hold out much hope.
Programme:
£3.50
Total Cost:
£33.50, but worth every penny.
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Wednesday, 9 June 2010
Ticket Offer: Sucker Punch / Ingredient X, Royal Court
1) Sucker Punch by Roy Williams: see the show for just £10 from Friday 11th – 17th June.
2) Nick Grosso's Ingredient X at the Royal Court his Saturday matinee (12th June) with a 2-4-1 offer – two tickets for £15.
To book, call the box office on 020 7565 5000 and quote 'Social offer' and the name of the play (subject to availability). For more information on the plays, visit the Royal Court website.
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Sunday, 6 June 2010
Review: The Concise Dictionary of Dress, Blythe House
Designed by fashion curator Judith Clark with definitions provided by psychoanalyst Adam Phillips, small groups are led around 11 exhibits exploring concepts of fashion (from 'Armoured' through to 'Tight'), located within the museum's vast storerooms. Objects from the collection along with specially commissioned works are used to create each tableau. Usually closed to the public, a large part of the thrill of this experience comes from accessing areas normally off-limits behind card keys and cargo lifts. Albeit under the watchful eye of a chaperone, who is less a guide than an usher. Questions are discouraged until the end of the tour, and so the individual is left to import meaning from the exhibit, its location and Phillips' definitions.
The definitions are at once illuminating and confusing. Subjective, conflicting, and at times down right impenetrable (quite how 'Essential' can be understood as 'distracting', I'm still not sure), Clark and Phillips seem to be deliberately toying with the idea that fashion can be summed up meaningfully in one word or a choice phrase, and by extension, that it can be sensibly archived into a museum catalogue.
Instead, the exhibit relies on the context of the spaces, both past and present. From the wax resin figure of 'Armoured' on the roof (where there were apparently used to be segregated shooting ranges for male and female Post Office employees), to the mobile archive shelves wheeled open to reveal 'Comfortable' and 'Conformist', to the former meat larder housing 'Tight', the ghosts of the past jostle with the present to conjure up layers of meaning. Indeed, that Blythe House is a functioning building has led to some fascinating juxtapositions, all the more so for being unintentional. The simple paper structures created for 'Plain' are coincidentally reflected in the protective white shroud covering, what is labelled, a 'flaky paint dress' - part of the actual V&A collection - which was supposedly moved there after Concise Dictionary had opened. As with the best fashion then, it is the accidental accessories that set off this exhibition best.
£12.50
Programme:
None
Total Cost:
£12.50
The Concise Dictionary of Dress continues until 27 June 2010. Tours of Blythe House run every 20 mins during open hours. Places on the tours are strictly limited and tickets must be purchased in advance. Tickets online or call 0871 231 0847, price £12.50/£10 concessions.
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Friday, 4 June 2010
Ticket Offer: Henry IV Part 1, Shakespeare's Globe
To take advantage of the offer use the promo code 'pcdyard' when booking online or call Box Office on 020 7401 9919 and quote the code.
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Thursday, 3 June 2010
Ticket Update: The Duchess of Malfi, Punchdrunk / ENO
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Wednesday, 2 June 2010
Ticket Offer: Lulu, Gate Theatre; Welcome to Thebes, National Theatre
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